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Saturday, 16 November 2013

Igor Bišćan Hall of Fame #16

Welcome to my weekly blog “The Igor Bišćan Hall of Fame” every week I’ll be adding two new additions, one will be a Liverpool Legend or fans favourite, the other a Player, Manager or Club who have contributed to the world game we all love (Eric Djemba-Djemba need not worry). Please comment below who you’d like to see make the IBHoF, here are this weeks entries. YNWA



JAN MOLBY

1984/85 - 1994/95

Few top-flight managers could put their hands on their hearts and say they did not covet the ability of Jan Molby. Yet the Danish international midfielder, a rare and at times irresistible combination of dainty skills and bear-like strength, became a shadowy figure on the fringe of the Anfield action long before reaching the veteran stage and being freed to become player-boss of Swansea in February 1996.

Joe Fagan took him to Anfield as a £200,000 recruit from Ajax of Amsterdam in August 1984 and pitched him straight into the team. The initial impression was of a sluggish, rather corpulent individual who lacked the speed to make the most of his natural gifts. Jan played on for the first half of the campaign before being replaced by Kevin MacDonald, and a brief end-of-term reappearance as sweeper was not enough to prevent many critics from writing him off.

Never a man to be swayed by the media, Kenny Dalglish was of a different opinion. The new Liverpool manager installed a slightly slimmer Jan in his side for 1985/86, and his faith was quickly repaid. The Dane, having had time to adjust to the frenetic demands of the British game, exuded authority as the Reds' creative fulcrum, supplying Ian Rush in particular with a nourishing diet of exquisitely weighted through-balls. Like Souness before him, Jan laced his constructive merits with formidable power, and his dead-ball expertise - he scored nine of his 19 goals from the penalty spot - was indispensable. His finest hour came in the FA Cup Final at Wembley, in which Liverpool were distinctly second-best to Everton until the hefty schemer began to exert his influence. First he put Rush through to level the scores at one-apiece and then opened up the match with a succession of flowing crossfield passes, which led ultimately to two more goals.

Jan's Anfield future was apparently assured. Not only was he a success on the pitch, he also became a personal favourite with the fans, who delighted in his Danish-Scouse accent and general willingness to embrace the Merseyside way of life. The way ahead, however, was paved with problems. After playing well enough for a slightly below-par 'Pool in the following season, he broke his foot in training and missed most of the vintage 1987/88 campaign. Jan was back for 1988/89, deputising in defence for Alan Hansen, but soccer was forced to take a back seat as he was sentenced to three months in prison for a driving offence.

To his credit, Jan survived the trauma with dignity, returning to fight for his place. But, though arguably still the most artistic play-maker in the land - as he showed repeatedly during 1991/92, contributing hugely to Liverpool's FA Cup triumph - the affable Dane seemed to have lost the impetus of earlier days.

Part of the reason was his eternal battle with his weight - if he could have controlled that ample girth as ably as he mastered a football then, surely, Jan must have attained true great-ness – but also he suffered appallingly with injuries throughout the first half of the nineties. In addition, there were times when the team's pattern of play, with so many attacking ideas stemming from more fleet-footed colleagues, simply did not suit his measured approach.

For all that, there is no escaping the truth that the sumptuous talents of Jan Molby remained frustratingly peripheral at a time when they should have been reaping their richest bounty. By any reckoning, that amounts to a dreadful waste.



BORN: Kolding, Denmark, 4.7.63. GAMES: 251 (30). GOALS: 58.

CLUBS: Kolding 81/2; Ajax, Amsterdam 82/4; Barnsley (on loan) 95/6 (5, 0); Norwich City (on loan) 95/6 (3, 0); Swansea City 95/6-97/8 (42, 8).

HONOURS: League Championship 85/6, 89/90. FA Cup 85/6, 91/2.

MANAGER: Swansea City 96-97; Kidderminster Harriers 99-02 – 03-04; Hull City 02.

INERNATIONAL CAREER: 33 Denmark caps, 2 goals (82-90).





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FC ST. PAULI

FULL NAME: Fußball-Club St. Pauli von 1910

CITY: Hamburg

COUNTRY: Germany

LEAGUE: 2. Bundesliga

FOUNDED: 1910

STADIUM: Millerntor Stadion (23,201)

COLOURS: Brown, White

NICKNAMES: Die Freibeuter der Liga (The Buccaneers of the League), Totenkopf (The Skull & Crossbones)

RIVAL: Hamburger SV

WEBSITE: fcstpauli.de



DESCIPTION:

The club began its existence in 1899 as a loose, informal group of football enthusiasts within the Hamburg-St.Pauli Turn-Verein. This group did not play its first match until 1907, when they faced a similar side assembled from the local Aegir swimming club. Officially established on 15 May 1910, the club played as St. Pauli TV in the Kreisliga Groß-Hamburg (Alsterkreis) until 1924, when a separate football side called St. Pauli was formed. The team played as an undistinguished lower-to-mid table side until making their first appearance in 1934 in the top-flight Gauliga Nordmark, one of sixteen premier level divisions created in the re-organization of German football that took place under the Third Reich. They were immediately relegated, but returned to the top flight in 1936. Relegated again in 1940, St. Pauli re-appeared in the Gauliga Hamburg in 1942, and played there until the end of World War II.

Since the 1980s FC St. Pauli is the most popular football club in the German left wing, anti-fascist and punk movement. This is not only due to their well-known Skull logo but to the house-squatting scene that many St. Pauli fans were in involved in during the late 1980s and early 1990s.



FANS:

St. Pauli opens its home matches with "Hells Bells" by AC/DC, and after every home goal "Song 2" by Blur is played.

St. Pauli enjoys a certain fame for the left-leaning character of its supporters: most of the team's fans regard themselves as anti-racist, anti-fascist, anti-homophobic and anti-sexist, and this has on occasion brought them into conflict with neo-Nazis and hooligans at away games. Fans of St. Pauli are also known as "Zecken" (Ticks), this is a name that right-wingers call punks and other people who they accuse of being parasites.

Team supporters traditionally participate in demonstrations in the Hamburg district of St. Pauli, including those over squatting or low-income housing, such as the Hafenstraße and Bambule. The centre of fan activity is the Fanladen St. Pauli.

St Pauli fans currently have a strong relationship with Celtic F.C fans and Hapoel Tel Aviv fans.

The club prides itself on having the largest number of female fans in all of German football. In 2002, advertisements for the men's magazine Maxim were removed from the team's stadium, in response to fans' protests over the adverts' allegedly sexist depictions of women.



CLUB LOGO:

The Skull and Crossbones symbol had always been associated with St Pauli in one way or another. Hamburg fostered the most famous pirate of Germany Klaus Störtebeker and the symbol had been used by the house occupants at Hafenstrasse, but the one who should be credited with finally bringing the symbol to the terraces is probably Doc Mabuse, the singer of a Hamburg punk band. As the legend tells, he first grabbed the flag from a stall while passing drunk through the Dom on his way to the Millerntor-Stadion.



MILLERNTOR STADION:

The home venue of the FC St Pauli is the Millerntor-Stadion. Work on the stadium began in 1961, but its completion was delayed until 1963 as there was initially no drainage system in place, making the pitch unplayable after rain. It originally held 32,000 supporters, but the capacity was later reduced for safety reasons.

In 1970, the stadium was renamed Wilhelm Koch-Stadium, in honour of a former club president, but this name became highly controversial when it was discovered that Wilhelm Koch had been a member of the Nazi Party during the war. After protests by fans, the name was changed back to Millerntor-Stadion in 1999.

A reconstruction began in 2006. The goal is a total renovation of the four tribunes of the stadium. The renovation is expected to be fully completed by 2014 and the new capacity will be approximately 30,000 spectators.

The Stadium is located next to the Heiligengeistfeld, and is overlooked by the infamous Flak tower to the north and a building of the Deutsche Telekom to the south. It can easily be reached with the Hamburg U-Bahn line U3 (St Pauli Station and Feldstrasse Station).



HONOURS:

Weltpokalsiegerbesieger (the World Club Champ beaters) (2002)

The Weltpokalsiegerbesieger is an imaginary cup, which we imagine St Pauli claimed in 2002 after beating then World Club champions Bayern Munich.

It seems to the fans of FC ST. Pauli there’s more to football than winning silverware.





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The Igor Bišćan Hall of Fame welcomes you both. YNWA

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